To Zoom G9.2tt είναι μια μονάδα πολυεφέ κιθάρας με μια 12AX7 λυχνία στο προενισχυτικό στάδιο, 3D action Z-pedal, 28 προσομοιώσεις λαμπάτων ενισχυτών, με επεξεργασία 32bit DSP - ZFX-3, 43 amp/stomp modelings, 120 εφέ, όπου μπορούν να παίξουν 10 ταυτόχρονα, USB συνδεσιμότητα για Η/Υ, 200 προγραμματισμένα εφέ από τα οποία 100 είναι σε user μορφή και είναι σε100 factory μορφή, EQ 6 δυναμικών περιοχών, με 96kHz δειγματοληψία, 24bit A/D και D/A μετατροπή σήματος, συχνοτική απόκριση: 20Hz-40kHz, 120dB SNR, εξωτερική μονάδα εφέ λούπας, MIDI είσοδο/έξοδο, aux είσοδο. Περιλαμβάνει και το Cubase LE.
| GUITAR AMP |
Fender Twin Reverb 65s |
Fender Tweed Deluxe 53s |
This is the tube combo amp often called the "Black Panel". Its clean sound is characterized by flamboyant highs.
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A compact tube combo amp that is representative of the Fender Tweed series. Its dry distortion and characteristic cabinet sound made it a favorite with many blues legends. |
Fender BASSMAN
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VOX AC30TBX |
This tube-based combo amp was originally designed as a bass amplifier, but its high-pitched distortion has made it a general favorite among Blues greats and Rock guitarists.
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This Class A tube combo amp is representative of the 1960s Liverpool sound created by such bands as The Beatles and The Shadows. Its major appeal is unclouded straightforward sound. |
Marshall 1959 SuperLead 100
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Marshall 1962 Bluesbreaker
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| This amp with the nickname "Plexi" is one of the most famous amplifiers in Rock history. Its aggressive transients and distortion sounds are complemented by smooth harmonics. |
This combo amp is the source of the fat and sweet British Blues sound. Eric Clapton and many other top players all over the world have immortalized it as the classic Rock guitar sound. |
| Marshall JCM800 |
Marshall JCM2000
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A tube stack amp favored by many hard rock guitarists. Great treble plus a solid low end guarantee powerful sound.
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Flexible stack amp that covers a wide range of genres. Traditional Marshall sound combines power with rich harmonics, but sharp metallic distortion is also possible. |
Roland JAZZ CHORUS
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HIWATT Custom100
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| Famous combo amp made in Japan. The uncolored clean sound shows the clarity that is possible with solid state designs. |
HIWATT ranks along with Marshall as one of the leading British amplifier brands, and this is their most famous model. Different from the flamboyant Fender clean sound, it gives a wet sound with prominent midrange.
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| MESA/BOOGIE MarkIII |
MESA/BOOGIE Dual Rectifier
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| Combo amp noted for its extended midrange and long sustain. A mainstay of fusion guitarists, from Santana to Larry Carlton. |
High-gain stack amp with two rectifier circuits (silicone diode and vacuum tube) gives punchy metallic drive sound, great for hard modern rock.
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| ENGL E650 Ritchie Blackmore Signature 100 |
PEAVEY 5150 STACK |
| The Ritchie Blackmore Signature model from the German manufacturer ENGL is the epitome of high gain, with thick, gutsy sound emerging from a solid and heavy cabinet. |
The high-gain tube stack made famous by Eddie Van Halen. Produces tight bass and detailed distortion. |
Hughes & Kettner TriAmp MK2
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Diezel Herbert |
Using a total of thirteen tubes and three fully separate channels, this is a monster of an amplifier. It allows a wide range of sound variations, from clean tone to modern high-gain.
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This high-gain amp with three channels is fully capable of producing the ultra powerful bass that the modern Rock scene demands. Its ultra-clean and dry crunch sound are also very attractive. |
Z Combo (ZOOM original)
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Z Stack (ZOOM original) |
While providing the transparency and dynamics of a vintage combo amp, this simulation created by ZOOM also offers ample gain and sustain.
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Stack amp sound created by ZOOM, aiming for nothing less than the heaviest distortion in the world. But even with abundant amounts of distortion, the ideal high-gain sound never loses its solid core. |
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| Stomp Box |
BOSS DS-1 |
BOSS MT-2 |
The orange pedal that became synonymous with distortion sound. Its trebly character never gets lost in the band ensemble. A favorite of Joe Satriani and Kurt Cobain.
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A distortion pedal with real wild metal character and fat midrange. Go for the ultra long sustain. |
BOSS OD-1
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Ibanez TS808 |
Overdrive with mild, richly nuanced distortion in the manner of a fully driven tube amp. Popular as a booster for giving backbone to a stack amp.
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Known as the Tube Screamer, this produces natural sounding distortion similar to driving a tube circuit. The pedal is also famous for being used by the legendary Stevie Ray Vaughan. |
KLON CENTAUR
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Marshall Guv/nor |
| Known for its capability of producing pure distortion without impairing the original sound, this overdrive/booster enjoys a great reputation among many of the world best guitarists. |
Stomp box that recreates the distortion of a Marshall amp. Popular among hard rock guitarists as an easy way to get the Marshall sound. |
MXR Distortion+
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PROCO RAT |
A stomp box from MXR that put the word "distortion" on the map. Hard Rock and Heavy Metal artists love it for its hard and edgy sound.
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This is one of the most widely used pedals. It covers a wide range from crunch sound to fuzz-like sound. |
MATCHLESS HOT BOX
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Dallas-Arbiter FUZZ FACE
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| Tube preamp for creating that MATCHLESS amp quality. Fat and punchy drive sound brings out the picking nuances. |
Fuzz pedal famous for its unique round "face" design. Vintage fuzz sound fueled by the destructive energy of germanium diodes. |
Electro-Harmonix BIG MUFF
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Extreme Distortion (ZOOM original) |
Since its introduction in 1968, this vintage fuzz pedal has fascinated many great guitarists. Long sustain and thick, sweet distortion are its most prominent characteristics.
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Stressing the digital edge, this ZOOM original pulls out all the stops when it comes to distortion. Get the strongest high-gain sound in the world. |
Digital Fuzz (ZOOM original)
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Z Clean (ZOOM original) |
Another ZOOM original, this digital fuzz effect will go places where analog simply can not follow. Its "broken" quality ushers in a new fuzz generation.
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Beautiful, transparent clean tone created by ZOOM. The well-rounded, smooth sound is great for arpeggios and cutting. |
Z OD (ZOOM original)
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Warmer than any stomp box, with just the right amount of sustain. Ideal overdrive sound that does not impair attack dynamics.
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| Amp + Stomp Box |
Fender Combo + TS9 |
Marshall Stack + SD-1 |
The sound of overdriving a Fender combo amp with an Ibanez TS9. Powerful, fat distortion is reminiscent of Stevie Ray Vaughan.
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The sound of overdriving a Marshall stack amp with a BOSS SD-1. Sonic pyrotechnics for Hard Rock guitarists. |
Marshall Stack + FUZZ FACE
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This combination of a Marshal stack amp and the Dallas-Arbiter FUZZ FACE creates a wildly deformed sound a la Jimi Hendrix.
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| EFFECT LIST |
| COMP module |
| Compressor |
Rack Comp |
Limiter
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| WAH/EFX1 module |
Auto Wah
Tremolo
Ring Modulator
Crybaby Wah
Octave
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Auto Resonance
Phaser
Slow Attack
Multi Wah
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Booster
Fixed Phaser
Vox Wah
Pedal Resonance |
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| EXT LOOP module |
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| ZNR Module |
| ZNR |
Noise Gate |
Dirty Gate
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| PRE AMP module |
FD Clean
HW Clean
Tweed Bass
Z Combo
MS Drive
Rect Modern
HK Drive
DZ Drive
Z Stack
Centaur
DS-1
Fuzz Face
TS＋F Combo
Z OD
Z Clean
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VX Clean
UK Blues
BG Crunch
MS #1959
Rect Clean
HK Clean
DZ Clean
ENGL Drive
Over Drive
Guv/nor
dist＋
Big Muff
SD＋M Stack
Extreme DS
Acoustic Sim. |
JC Clean
US Blues
VX Crunch
MS Crunch
Rect Vintage
HK Crunch
DZ Crunch
PV Drive
TS808
RAT
Hot Box
Metal Zone
FZ＋M Stack
Digi Fuzz
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| EQ module |
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| CABINET module |
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| MOD/EFX2 module |
Chorus
Modulation Delay
Pedal Pitch
Delay
Dynamic Flanger
Pedal Mono Pitch
Bend Chorus
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Stereo Chorus
Flanger
Vibrato
Tape Echo
Mono Pitch
Cry
Comb Filter
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Chorus Ensemble
Pitch Shifter
Step
Dynamic Delay
Harmonized Pitch
Reverse Delay
Air
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| DELAY module |
Delay
Ping Pong Echo
Air
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Ping Pong Delay
Analog Delay |
Echo
Reverse Delay
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| REVERB module |
Hall
Arena
Early Reflection
Ping Pong Delay
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Room
Tiled Room
Multi Tap Delay
Ping Pong Echo
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Spring
Modern Spring
Pan Delay
Auto Pan
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For Z-Pedal
Z-Delay
Z-MonoPitch
Z-Step
X-Flanger
X-Vibe
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Z-Dimension
Z-Oscillator
Z-Talking
X-Phaser
X-Wah
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Z-Echo
Z-Pitch
Z-Tornado
X-Step |
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Τεχνικά Χαρακτηριστικά
●Effect Types : 120
●Effect Modules : 10
●Maximum Simultaneous Effects : 10
●Patch Memory : User 100+Preset 100, Total 200
●Sampling Frequency : 96kHz
●A/D Conversion : 24bit, 64times over-sampling
●D/A Conversion : 24bit, 128times over-sampling
●Signal Processing : 32bit
●Frequency Response : 20Hz-40kHz+1.0dB, -3.0dB(10kΩload)
●Guitar Input : 1/4" phone jack(Rated input level : -10dBm, Input impedance : 1MΩ)
●AUX Input : 1/8" stereo phone jack(Rated input level : -10dBm, Input impedance : 10kΩ)
●External Return : 1/4" phone jack(Rated input level : -10dBm / +4dBm)
●Line Output(L/MONO, R) : 2 x 1/4" phone jack(Rated output level : -10dBm / +4dBm, Maximum output level : +19dBm, Output load impedance : 10kΩ or more, Output Impedance : 1kΩ or less)
●Headphone Output : 1/4" stereo phone jack(Rated output : 60mW / 32Ω load, 20mW / 300Ω load, Output impedance : 47kΩ)
●External Send : 1/4" phone jack(Rated output level : -10dBm / +4dBm)
●Tube Circuitry : 2 x 12AX7
●MIDI : IN/OUT
●USB Interface : 16bit, 32kHz / 44.1kHz/48kHz
●Display : 2digit 7segment LED, backlit LCD
●Power Requirements : 15V AC, 1.5A
●Dimensions : 595(W)x 235(D)x 85(H)mm
●Weight : 5.5kg
●Supplied Accessory : AC adaptor(AD-0012)
